Pam Tanowitz: Over the past 15 years choreographer Pam Tanowitz has become known for her unflinchingly post-modern treatment of classical dance vocabulary. Her abstract movement challenges stylistic expectations, conventions of composition as well as the concert-going experience itself.
She was awarded a Bessie award in 2009, Foundation for Contemporary Arts award in 2010, Guggenheim Fellowship in 2011, and the Hodder Fellowship from Princeton University in 2013-14. In 2016, Tanowitz was the Juried Bessie Award Winner for her work “the story progresses as if in a dream of glittering surfaces”, and a recipient of the National Dance Project production grant for her work “New Work for Goldberg Variations”, a collaboration with pianist Simone Dinnerstein. In 2017, Tanowitz was chosen as the first female recipient of the Baryshnikov Arts Center’s Cage Cunningham Fellowship.
She has been commissioned by The Joyce Theater, The John F. Kennedy Center for the Performing Arts, Bard Summerscape Festival, Vail International Dance Festival, New York Live Arts, The Guggenheim Museum’s Works & Process series, Danspace Project, Lincoln Center Out of Doors, Chicago Dancing Festival, Baryshnikov Arts Center, Jacob’s Pillow Dance Festival, Duke Performances, Peak Performances, FSU’s Opening Nights Series, and the Institute for Contemporary Art/Boston. Her work was selected by The New York Times Best of Dance series in 2013, 2014, 2015 and 2017.
Tanowitz has also created or set work for City Center’s Fall for Dance Festival, The Juilliard School, Ballet Austin, New York Theater Ballet and Saint Louis Ballet; and has been a guest choreographer at Barnard College, Princeton University, Mason Gross School of the Arts at Rutgers University, Marymount Manhattan College and Purchase College. She holds dance degrees from The Ohio State University and Sarah Lawrence College, and currently teaches at Rutgers University.
